Catherine Quan Damman
Informed by feminist, queer, disability, and critical race studies, my research and teaching focus on the relationships between form,
labor, and value in modern and contemporary art.
I am the Linda Nochlin Visiting Assistant Professor at the Institute of Fine Arts, New York University, where I teach and advise graduate work on topics in feminism and global contemporary art.
This year I am completing my first monograph, Performance: A Deceptive History, with the support of a 2022–2023 ACLS Fellowship.
Édouard Manet, The Dead Toreador, c. 1864